Tag Archives: Swiss Army Man

Best Films of 2016

2016 went by in a flash but some of its films have still left an impact. Yes, it has been a while since the year ended, but this list’s lack of timeliness means many of the movies discussed here are now available on streaming services.

One of the biggest surprises of the year was not just the quality of films but the strength of new filmmakers. Several of the films below are made by first-time directors which bodes incredibly well for the industry as a whole and means there will be even more impressive films sure to release in the future.

15. Nocturnal Animals

The framing narrative can be stale at times with unneeded avant-garde flourishes, but the inner story is thrilling. Tom Ford’s take on a Deliverance-style encounter is a frightening look at the fragility of one’s existence. Seemingly perfect lives can be destroyed in an instant and even deep affections can turn into resentment.

[Currently available for VOD rental}

14. Hacksaw Ridge

Mel Gibson has never been one for subtlety and Hacksaw Ridge is no exception. The character development is saccharine but earnest and the action is gratuitous but visceral. He is a visual director whose skills come through in the wordless action scenes. Gibson deftly stages the many moving pieces of combat to create a deliberately disorienting chaos. The violence may be too gory for some, but he captures the pandemonium of battle with great success.

[Currently available for VOD rental}

13. The Witch

Stark and slow-moving, The Witch is a film that uses the bleakness of its period to full effect. It’s a horror film about the paranoia of a pilgrim family. When things don’t go according to plan and mutual mistrust builds, every character’s behavior becomes suspect. Even when the facts aren’t there to support assertions, it’s their perception of others and need for an easy explanation that leads to their downfall.

[Currently available on Amazon Prime}

12. Maggie’s Plan

Despite her busybody nature, the titular character is never anything but endearing. Greta Gerwig’s performance shows that her meddling comes from the best of intentions. As Maggie pulls strings in the relationships around her, the genuine affection she feels for her loved ones and sacrifices she makes for their benefit make her a lovable presence. Even as she fumbles her plans, her actions are filled with a palpable warmth.

[Currently available for VOD rental}

11. Love & Friendship

Who knew Whit Stillman’s arch humor would translate so well into a period piece? His clever phrasings and prim tone mix perfectly with the haughty manners of the setting. Kate Beckinsale as the deceptively loquacious widow is entrancing as she talks circles around her friends and family to get her every wish fulfilled. The swirling verbal dance she plays is a joy to behold, even when you know of her calculating nature.

[Currently available on Amazon Prime}

10. Hell or High Water

Hell of High Water is a film that strips a genre down to its core. It’s a modern western presented as a low-scale heist movie. Instead of relying on elaborate staging, it leans on the terse dialogue and body language of its characters. The acting is so expressive in its own subtle way that a brief conversation becomes as thrilling as a police shootout.

[Currently available for VOD rental}

9. Eye in the Sky

Drones have been a hot topic in the media lately, but Eye in the Sky is more than topical. It evaluates the minutiae of several stakeholders in each military mission. Politics, infantry, pilots, and data analysis all play a part in actions that have good intentions but inherent, often fatal, tradeoffs. The film succeeds by creating tension at each stage of decision-making and driving home the moral complexity behind every order.

[Currently available on Amazon Prime}

8. The Handmaiden

Park Chan-wook is known for his often transgressive plotlines but with The Handmaiden he adds a more playful tone. Returning to Korea after a brief foray into English language films, he is clearly enjoying his freedoms back home. The story swivels through different perspectives, each revealing new, film-altering context. Every twist is a face-slapping surprise as the director expertly – and repeatedly – flips over audience expectations.

[Currently available on Amazon Prime}

7. Wiener-Dog

Director Todd Solondz has created another world of marginal characters locked into stagnant existences. Like Robert Bresson’s classic Au Hasard Balthazar, it follows one animal as it travels in and out of the lives of its owners. The overwhelmingly depressing tone may be too much for some, but there is truth behind each person’s failures. Their missed potentials or bleak futures are products of their unfortunate situations. Even as the characters sink further into their miserable realities, their plight is deeply sympathetic.

[Currently available on Amazon Prime}

6. Hunt for the Wilderpeople

Balancing over the top antics with a heartfelt message of belonging, Taika Waititi has created his best film to date. The unlikely duo of a 13-year old ne’er-do-well and a grumpy old man mistakenly becoming the center of a nationwide manhunt is an endless source of humor and only buoyed by an eccentric supporting cast.

[Currently available for VOD rental}

5. Girl Asleep

Set in an elaborately designed 1970s, Girl Asleep is a fresh take on the coming-of-age movie. The first half is a vivacious look into a teenage girl’s interactions with her quirky classmates and family, overflowing with panache, and the second half is a surreal exploration of the pressures she faces as she tries to reconcile changing expectations in her transition to womanhood and independence. It’s an original experience that is as flamboyant as it is honest.

[Currently available on Netflix}

4. Swiss Army Man

While it will most definitely turn off viewers with its aggressively weird premise and moments of gross-out humor, Swiss Army Man is an incredibly emotional journey. It looks at the value of friendship from the angle of outcasts and examines the nature of conformity with Daniel Radcliffe’s talking corpse as the mouthpiece of the directors. It’s a call to break free from our own inhibitions and an indictment of the self-doubt that prevents us from being happy, filtered through the minds of two strange filmmakers.

[Currently available on Amazon Prime}

3. A Monster Calls

Movies are rarely more honest about grief than A Monster Calls, especially from a child’s perspective. At every turn, it eschews easy answers and delves deeper into the emotions behind the pain of watching a loved one suffer. Using beautifully rendered fairytale stories and a lifelike tree monster voiced by Liam Neeson, it tackles the seldom touched upon topic of guilt with uncommon sensitivity and insight.

[Currently available for VOD rental}

2. Sing Street

Sing Street is the most infectious movie of the year with an incredible original soundtrack and endearingly oblivious characters. As the kids start their own band in 1980s Dublin, their tenacious spirit and adorable naivete is irresistible. Whether it’s writing the next hit song or winning the affections of a certain someone, anything is possible. Director John Carney has proven once again that he is the master of the modern music movie.

[Currently available on Netflix}

1. Under the Shadow

Blending physical and supernatural dangers, Under the Shadow creates tension with every scene. The unexplained missing items, freak occurrences, and ingrained superstitions escalate into an unbearable level of suspense without ever resorting to frequent jump scares or cheap gore. I have never been more terrified of a piece of fabric in my entire life.

[Currently available on Netflix. DO NOT watch the dubbed version. Please change your settings to watch in the original Farsi.}

Special Mention: Pure Pwnage Teh Movie

Its appeal is incredibly small, but if you are in the specific demographic that grew up with the original web series, Pure Pwnage Teh Movie is going to be an unexpectedly successful modernization of an early-internet-video classic.

[Currently available for VOD rental on Vimeo]

Best Music Moments of 2016

Whether it’s used to enhance an emotion or add an interesting contrast, music has always been intertwined with movies. Some of my favorite scenes in all of cinema rely heavily on their music and last year’s lineup was no exception. Here are the best musical moments of 2016, in no particular order. Some minor spoilers follow, but will be called out before each movie as needed.

Captain Fantastic – Sweet Child O’ Mine

Beginning with gentle acapella vocals, this rendition of Sweet Child O’ Mine starts out as an elegiac goodbye to a lost loved one and the past they carried with them. The children in the film are about to start a new chapter of their lives, but before the melancholy sets in they switch to a rousing, upbeat, acoustic sing-a-long. The jump in tone exemplifies the family’s resilience as they quickly move beyond their sorrow to face the future ahead, remembering the joy their mother brought them rather than their sadness at her absence.

Sing Street – Up

This is probably the most difficult film to pick an entry from, but also the most deserving. Like John Carney’s previous movies, Sing Street is filled with amazing original music. The film is an ode to the music of the 80’s and its songs come straight from the youthful hearts of the band members. Up may be my personal favorite from the soundtrack. It’s a boy basking the ups and downs of his first love. The vocals lift off to new heights as the singer experiences his first feelings of romance. His genuine naivete and joy are infectious. Be sure to also check out the other songs from the film.

Everybody Wants Some!! – Rapper’s Delight

The characters’ aggressive hypermasculinity of Everybody Wants Some!! was often repulsive as they continued to turn on each other for the slightest appearance of victory. However, their one moment of unity was in a short car drive. Between trading insults, they take a break to sing when the Sugarhill Gang comes on the radio. Their playful handoffs finally reveal the deep comradery hidden underneath the insults they normally hurl at each. It’s a welcome, exuberant expression of male friendship.

Girl Asleep – You Make Me Feel

An unwanted birthday party with everyone in your school invited is a wallflower’s worst nightmare. As the film’s shy lead stands in fear, the celebration ends up being something far beyond the normal. The party becomes surreal as each classmate dances their way in and drops off their gift. Just when it feels like things are back to normal the entire crowd erupts into an unexpected, synchronized dance number. It might be far-fetched but the 70s spirit is too contagious for anyone to care. This scene is a glorious abstraction and one of the grooviest moments of the year.

Hardcore Henry – Don’t Stop Me Now

As if Hardcore Henry’s action scenes weren’t exaggerated enough, the director uses Freddie Mercury’s bellowing vocals to take the film to the next level. Caught in a state of weakness and surrounded by enemies, Henry double fists shots of adrenaline and jumps back into the thick of it. The Queen song best exemplifies the film’s gleeful take on violence and has oddly appropriate lyrics. This isn’t about serious fighting. It’s a respite from the gritty realism of many modern action movies and a celebration of the euphoria that can be created with well-choreographed violence.

American Honey – American Honey

When the titular track finally plays, it’s more than background music, it’s a culmination of the lead’s aimless life. The song’s sweet, nostalgic vocals reminisce on a past long gone. For Star (Sasha Lane), it creates a moment of realization of what her journey has been and will continue to be. It’s a redefinition of what the American Dream is to young people like her. Not a path of upwards mobility, but a horizon of limited opportunity. As she looks around at the troubled youth just like her, the song becomes a farewell to her aspirations and an acceptance of her constrained future.

Swiss Army Man – Montage

Last year’s weirdest film also came with the most meta musical moment: a montage featuring an acapella track titled “Montage”. The strangely anthemic vocals underscore an uplifting spirit and narrate the actions onscreen as we discover just how many odd uses the corpse of Daniel Radcliffe has. It’s the arts-and-crafts quirkiness of Michel Gondry combined with Spielberg’s sentimentalism as the bond between the two leads grows and allows them to escape their own loneliness – and use a dead body as a machine gun. Honorable mention must be given to the film’s use of the Jurassic Park Theme. Remember: “If you don’t know Jurassic Park, you don’t know shit”.

Toni Erdmann – Greatest Love of All

A series of increasingly uncomfortable interactions created by an eccentric father trying to be involved in the life of his stressed out straight-laced daughter build to a moment of what could be pure embarrassment. Ines (Sandra Hüller) is forced to sing in front of strangers, something she is completely unprepared for and her performance is as cringe-inducing as it is funny. Her singing begins shyly as it takes several intros for her to even start but she unexpectedly escalates into a full, committed performance. Each note belted out and every sassy expression on her face is a masterclass in awkward amusement.

La La Land – Audition (The Fools Who Dream)

My opinions on La La Land were much more lukewarm than most, but the real standout moment of the film is during a crucial audition. Mia (Emma Stone) has been crushed by her constant rejection as an actress and only returns to Hollywood at the behest of her boyfriend. Instead of being guarded, she opens herself up and delivers a personal tale. The background fades to black as Stone’s increasingly mournful expression dominates the frame with a painful ballad of pursuing one’s dreams at all costs. The vulnerability and reflection of her unsuccessful career turn the song into an aching eulogy for her own failed aspirations.

Star Trek Beyond – Sabotage (SPOILERS)

Director Justin Lin brought a fun, frenetic energy to the action of Star Trek Beyond and nowhere is this more apparent than in the finale. After being attacked by a horde of interconnected spaceships, the only solution is to beam low-tech radio at the frequency of their communications and disrupt their flight patterns. Instead of some forgettable signal, the only available transmission is a Beastie Boys song. Their anti-establishment spirit and the silly setup make the film’s climax a playful wave of explosions that stick it to the man (err…bad alien).

Swiss Army Man (2016)

Swiss Army Man is perhaps the strangest film to come out this year. Paul Dano (Love & Mercy) plays Hank, a man marooned on a small island about to hang himself in desperation until a body washes onshore. That body is the corpse of Daniel Radcliffe (Harry Potter) and upon realizing the body is dead, Hank returns to hanging himself until he is interrupted by the corpse violently convulsing. He realizes the corpse is farting and propelling itself across the water. Then Hank does the only natural thing and proceeds to ride the body like a jet ski fueled by flatulence. The duo make it to a nearby shore and attempt to reach society. Along the way the body slowly comes to life. Manny, the dead body, starts by barely talking then gains more abilities like spewing water for Hank to drink.

The beginning of the film may alienate viewers. The focus on farts, bodily fluids, and other bodily functions initially seem juvenile and can be repulsive. Nobody wants to watch someone drink water spraying out of someone else’s mouth. While these may be the most talked about aspects of the film, the directors Daniel Scheinert and Daniel Kwan (credited as “Daniels”) only use these as plot devices to advance the story. They are interested in much more than the sometimes vulgar beginning.

Hank's etiquette lessons are detailed.
Hank’s etiquette lessons are incredibly detailed.

Daniel Radcliffe deserves enormous credit for his performance. His absolute commitment to the role make the character somehow believable and likable. His partially fixed facial expressions, belabored voice, and cumbersome movements all convey a body recovering from rigor mortis. As Manny becomes more intelligent and gains an ever expanding array of uses, Radcliffe’s delivery makes the character seem authentically new to the world. His acting is what makes the emotional impact of the story possible.

The film proves to be about the relationship between Hank and Manny. Hank goes to great lengths to carry Manny with him as they try to find their way back home. Along the way he does his best to educate Manny on how to behave like a living human being. He constructs elaborate, but makeshift, recreations of regular life to show Manny how to interact with others. The main skill he focuses on is talking to an attractive stranger on the bus. The Daniels use this process to examine love from an elementary perspective. Manny’s increasing intellect leads to several childlike questions that probe at social conventions. He speaks his mind because he doesn’t know what or why inhibitions exist and as Hank tries to answer, he discovers the insecurities that have caused him to miss out on life. A recurring topic is “What does weird mean?” and the role of other people’s perceptions. Hank sees how he let his lack of confidence prevent him from taking the actions necessary to achieve his desires. During these lessons, the connection between Hank and Manny grows and the power of their friendship emerges as a major theme that is examined with uncommon depth. The film becomes a story of self-actualization and building confidence to become comfortable in one’s own skin. Swiss Army Man is a sweet, earnest exploration of social norms and the value of strong bonds, but done in the most bizarre way possible

4/5 stars.