Tag Archives: Michael Keaton

Spider-Man: Homecoming (2017)

After years of begging for Sony to let go of their biggest franchise, we finally have a Marvel produced Spider-Man. This film stars Tom Holland as Peter Parker and picks up after the events of Captain America: Civil War. Peter spends his afternoons as Spider-Man doing small deeds around Queens instead of the high-stakes battles we are used to. He wants to have more responsibility and gets his wish with The Vulture (Michael Keaton; Birdman). The Vulture uses alien technology to create and sell deadly weapons of immense power that rival, and perhaps eclipse, Spider-Man’s own abilities.

The writers (there were six in total) make the smart decision to skip over Spider-Man’s origin. The Amazing Spider-Man movies suffered from their familiarity and Homecoming avoids that pitfall by (correctly) assuming the audience already knows his backstory. The script instead treats being a superhero like an extracurricular activity. It focuses on Peter attempting to balance his schoolwork, friendships, and trying to impress Tony Stark enough to become a full Avenger. This turns the film into equal parts superhero and coming-of-age story, one with an incredibly likeable supporting cast. As he deals with his best friend, his bully, and his potential love interest, Peter becomes the relatable character we know and love. At his heart, Peter Parker is a good, smart kid. He’s a nerd and isn’t the cocky, often creepy version played by Andrew Garfield. The writing and choice to cast actors actually passable as teenagers allows the characters to becoming endearing and believable.

The charming students make the high school scenes some of the best parts of the film.

The film does still suffer from some rapid editing and cliché plot points. The origin of the Vulture is cut together at blistering speed with a hastily added title card used to leap forward in time. This was clearly done to limit the potentially long runtime, but starts the movie on rocky footing. Then the movie resorts to an overused epiphany during the mandatory action set piece where Spidey hears a guiding voice during his moment of crisis that gives him the strength needed to overcome his current obstacle. These are both unfortunate realities created by the requirements of the genre, but don’t detract from the overall enjoyment.

This may be the first superhero film in years to produce any amount of sustained tension. Typically, fight scenes are major in scale but minor in impact. How can we worry about whether a character lives or dies when we know they are already slated for a sequel and know that they make their studio too much money to kill off? Spider-Man breaks this trend with one particular revelation that will come out of nowhere, but makes perfect sense in the context of the story. It plays on an already tense situation for teenagers but adds a physical threat. This is helped by Michael Keaton as one of Marvel’s only interesting villains. Note that he is an ordinary villain and intentionally not the super kind. He doesn’t desire global domination, but rather has the modest goal to take care of his family and his employees. The reason for his villainous turn is also convincing. His small salvage team loses their contract with the City of New York to Tony Stark’s company after the destruction from Age of Ultron. Essentially meaning that the man responsible for the damage is also profiting from it. One of the film’s most refreshing aspects is how it casts Tony Stark in an unflattering light. It points out that he is a member of the wealthy elite that seems exempt from responsibility which makes The Vulture’s blue-collar frustration more sympathetic. The strength of its villain and the genuine surprises make Homecoming one of the best superhero movies in recent memory.

4/5 stars.

Top Films of 2015

Yes, I realize it’s almost halfway through 2016 already, but I wanted to be thorough and make sure I watched as many of 2015’s output before finalizing my list. The year end onslaught of Academy Award-ready films can be difficult to keep up with when you have another full-time job to attend to. Without further ado, here are my favorite films of the previous year.

11. Shaun the Sheep the Movie

Immaculately detailed and expertly choreographed, Shaun the Sheep is yet another great stop-motion film from Aardman Animations, the makers of Chicken Run. The film pulls from the best silent movies to produce an endearing, slapstick comedy with endlessly entertaining visual gags.

10. Predestination

presdestination1“What if I could put him in front you, the man that ruined your life?” Ethan Hawke plays a temporal agent traveling through time with his recruit Sarah Snook to prevent the bombings of a terrorist known as “The Fizzle Bomber”. The plot doesn’t take itself too seriously and instead makes use of the strong performances from its leads to explore the nature of cause and effect. Predestination is fun, twisty sci-fi at its best.

9. The Gift

The directorial debut of actor Joel Edgerton is a psychological thriller masquerading as a horror film. After Simon and Robyn (Jason Bateman and Rebecca Hall) move to Los Angeles they run into an old friend of Simon, Gordo (Edgerton), who begins making unannounced visits and giving overly generous presents. Slowly the relationship dissolves and the past between Simon and Gordo is brought into question. Edgerton’s film draws heavy influence from Michael Haneke’s Caché in that it focuses on the guilt and repercussions of the past. Does time really heal all wounds? The Gift has a response to that question.

8. Meet the Patels

Meet the Patels is a heartfelt, often hilarious, documentary about the issues faced by 1st generation Americans caught between the culture they experience every day and that of their heritage. Co-directed by brother and sister Ravi and Gita Patel, the film shows Ravi as he takes the plunge into finding a spouse through an arranged marriage. Instead of making this overly serious, Meet the Patels affectionately focuses on the importance of bonds between this charismatic family.

7. 99 Homes

Centered on the 2008 housing crisis, 99 Homes looks at the human cost of financial disaster. Andrew Garfield plays a young construction worker kicked out of his family home by Michael Shannon. What ensues is an unexpectedly tense exploration of both the winners and losers of the collapse. It shows what greed, desperation, and even success can do to the relationships we value most.

6. Spotlight

Spotlight features news reporters tackling a deep rooted problem deliberately hidden by the powers that be. The year’s best ensemble cast featuring Michael Keaton, Rachel McAdams, and Mark Ruffalo deal with the struggle of not only finding the truth but clashing with the culture of a city and a religion. Always somber and honest, Spotlight treats its serious subject matter with the respect and attention to detail it deserves.

5. Me and Earl and the Dying Girl

This film follows a boy and his friend as they begin a relationship with a girl who has just been diagnosed with cancer. While it falls into many of the standard Sundance tropes, it elevates above these with the gravity of its subject matter. The main character has to come to terms with his friend’s condition as well as his own changing life. Part coming of age story and part tribute to cinema (the film features “sweded” parody versions of classics a la Michel Gondry’s Be Kind Rewind), Me, Earl, and the Dying Girl is an expertly directed film about dealing with loss during adolescence.

4. Mad Max: Fury Road

George Miller revives his classic franchise with some of the best vehicular combat ever shown on screen. The film is a 2 hour long car chase that uses incredible practical stunts that put the standard CG effects to shame. With breakneck pacing and surprisingly poignant quiet moments, Mad Max: Fury Road is the automobile action movie we’ve been waiting 30 years for.

3. The Tribe

Filmed using only deaf actors signing and lacking any subtitles, The Tribe is an experiment in visual storytelling. At first, the decision seems troublesome as it immediately alienates the audience, but as the film continues the subtleties of each scene begin to tell the story. The gait of a character, the way they stand next to others, or the speed at which they sign all convey the actions taking place. As The Tribe explores an underground crime ring at a school for the deaf, it uses its purely visual approach to wordlessly express complex emotions.

[BS Note: NSFW. Extremely explicit and not for everyone]

2. Wild Tales

Composed of six unrelated humorous revenge stories, Wild Tales showcases scenarios exaggerated just slightly beyond the realm of reality but not out of its reach. The characters, while seemingly normal, always overreact to their situations leading to ridiculous outcomes. The film is bursting with manic energy and earns its laughs through creative set ups. Easily the funniest film of the year.

1. Love

When Gaspar Noé announced his next movie was going to be called Love, I thought the title must be ironic. Surely the man who directed Irreversible and is often accused of nihilism wasn’t actually covering that territory. Yet, that is exactly what he did. Love is simultaneously Noé’s most personal and most indulgent work. There are characters named both Gaspar and Noé with the latter played by him and some scenes are exercises in unnecessary exhibitionism. Most of the news covering the film has focused on the details of its production and its explicit nature, but that is missing the point of the movie. Love, flaws included, is exactly the film Noé wanted to make. It’s a film that explores all aspects of the titular emotion. The spark of a new relationship, the heartbreak that can follow, and, unlike other films, physical desires. In other movies, intimate scenes between characters are unnecessary and voyeuristic, almost like a requirement needed to show how “adult” a film is. Here, Noé builds the entire film around these scenes. The physical contact is an extension of the emotions felt by the characters. With only a few exceptions, they are meaningful scenes that develop the characters and build their relationships. Combined with Benoît Debie’s beautiful visuals and an entrancing soundtrack, the film casts a hypnotic spell, pulling the viewer into the feelings – both physical and emotional – that love brings.

[BS Note: NSFW. Extremely explicit and not for everyone]

Honorable Mentions:

  • Sicario
  • Brooklyn
  • About Elly
  • Steve Jobs